Leonardo de Mango

In 1883 de Mango settled in Istanbul during the reign of Sultan Abdul Hamid II, where he is known to have set up, and taught for some time at, the oil painting department of the School of Fine Arts.

Besides these scenes on the Marmara, the artist also depicted a large number of other spots in Istanbul including Büyükdere, Göksu (the Sweet Waters of Asia), the old Muslim quarter of Eyüp, the Greek district of Phanar, the Princes’ Islands, the Golden Horn, Seraglio Point and the Bosphorus.

Not only did he continuously treat new subjects, he is also known, upon popular demand, to have reworked at his Beyoğlu atelier some of his earlier studies of Damascus, Beirut and Egypt from sketches at hand, selling most of them to his Levantine clients.

Owing to advancing age, his activities were restricted to giving lessons in the mansions of the cosmopolitan circle in which he lived and moved, and holding one-man shows at the Italian-run ‘Societa Operaia’ and ‘Casa d’Italia’.

In financial straits during the final years of the near half-century he spent in Istanbul, de Mango lived in a single room allocated to him by Marcello Campaner in the ‘Palazzetto dei Dragomani’ (Translators’ House) behind the Casa d’Italia.

On the Golden Horn by de Mango, 1884