The effect is shimmering, kaleidoscopic and seductive, a sonic trompe l'oeil that seem to have presaged images of fractal mathematics, centuries before they existed.
[6] The harpsichordist Pascal Tufféry has suggested that, in keeping with the bucolic character of other pieces in Couperin's Ordre 6ème de clavecin, the pounding rhythm may represent the stamping of grapes in winemaking (given that the French word barrique means 'barrel', and barriquade was a designation adopted by viticulturalists of the day in France).
[6] Some of the less likely interpretations of the "mysterious barricades" proposed over the years – sometimes in relation to the salonnières of the 17th century - include women’s eyelashes, underwear and even chastity belts.
This hypothesis seems to fit in with the pedagogical aims of Couperin's music, since the composer presents himself as something of a specialist in building sound through legato, style luthé playing...Moreover, it seems to form a set with the following piece, Les Bergeries.
[8] Other suggested intended meanings for the title include: Claude Debussy, who considered François Couperin to be the "most poetic of our [French] harpsichordists" and an influence on his own piano études, expressed particular admiration for Les Barricades Mystérieuses.