It was commonly called a "supergroup," since each of the four members of Les Quatre Etoiles had long established individual musical careers before joining forces.
Based on its members’ negative experiences with bandleaders such as Franco and Tabu Ley Rochereau, Les Quatre Étoiles was a loose-knit arrangement rather than an exclusive one; during its existence, each of its members continued to release solo records, formed other bands, and played as sidemen in support of other musicians (notably including one another).
[10][11] Their polished renditions begin in the Soukous tradition, with a slow, harmonious introduction; this then breaks out, again as in the Soukous tradition, into a fast-paced chorus known as the 'sebene' with resonating, repeated electric guitar rhythms in the background, interwoven with a choice assortment of African percussion instruments accompanied by orchestras.
Following the end of Les Quatre Etoiles in 1996, in 2000 three of its members (Syran Mbenza, Wuta Mayi, and Nyboma) joined other African musicians to form Kékélé.
(Based on similar track names, this may be a repackaging of the "Zairian Stars Show" album from Kilimanjaro.)