I schooled in Jabavu, Moroka, Jabulani… " (Bird Monk Seding p20) His poetry stands aside from politics and is savagely critical of the (post)apartheid establishment.

He collaborated with the Kalahari Surfers on the Shifty Records album End Beginnings (vinyl, cassette and CD:1990) and the Bandcamp release: Bantu Rejex (2017) .

National Gallery, Cape Town (2009) He is directly influenced by the writings of Frantz Fanon and he comes from the Black Consciousness era of the 1970s and 1980s.

In another piece of work, "Riding the Victim's Train" (on the CD/album The H.a.l.f Ranthology), Rampolokeng calls himself "a leper cast out in the desert, and cold, without a snout or paw in the pot of gold".

He has shared a stage with local and international poets including Kgafela oa Magogodi, Lefifi Tladi, Lebo Mashile and Natalia Molebatsi.