[13] The band then returned to Boston to do overdubs at Fort Apache Studios in Cambridge where their previous albums had been recorded, and of which Slade and Kolderie were co-founders.

Initial mixes were done by Slade and Kolderie at the Carriage House in Stamford, Connecticut, with the band encouraging them to emphasize acoustic guitar sounds over electric.

[11] Janovitz, who had originally pushed back against the remix and against Saint Germain's bullish personality, was initially "shocked, mostly in a bad way"[11] but also accepted "undeniably how great they were".

[14] The band received some criticism as "white guys exploiting the black experience" but liked, "in a twisted way", the "off-kilter" feeling created by a cover that did not represent the music on the album.

[12][13] For the album's 25th anniversary in 2017, Beggars Banquet released an expanded edition with an extra 10 tracks on vinyl, or 17 on digital versions, recorded live at ULU in 1992.