Liège Cathedral

[2] He instituted a college of twenty canons to whom Notger, who completed the building begun by his predecessor, added ten more.

[4][5] It was upon his return from Cologne, where he had attended the funeral of Bruno the Great, archbishop of that city and vicar of the empire, that Eraclus conceived the project of building a church in honor of Paul the Apostle.

One of them, dedicated to St. Caprasius, had a college of ten priests; the bishop gathered them together with the twenty canons of St. Paul and thus brought their number to thirty.

All the property, pensions and tithes of St. Capraise were transferred to the new collegiate church, to which Notger gave the bell called "Dardar", also from Chèvremont.

The upper gallery overloaded with pinnacle hooks is modern, as is the storey with the ogival windows and the spire of the belltower with four bells on each side.

The lintel of the portal bears an inscription, formerly on the city seal: Sancta Legia Ecclesiae Romanae Filia ("Holy Liège, daughter of the Roman church").

Godescalc The first authentic mention of a dean and provost of St. Paul can be found in a piece from the year 1083, taken from the cartulary of this Collegiate Church.

[8] It talks about damages caused in the alleu of Nandrin, property of the chapter, by Giselbert, Count of Clermont, and his accomplice Frédelon.

Bishop Henri de Verdun embraced the defence of the Church's rights and in order to safeguard them in the future, the advocatus of Nandrin's alleu was entrusted to a lord named Conon.

Waselin In 1106, the Collegiale added to its properties part of the territory of Fragnée, acquired and shared by Obert between the churches of the secondary clergy.

[12] Godfrey I, Count of Louvain, in 1135, ceded the tithes of the city of Weert and its uncultivated or cultivated territory to the Collegiate chapter.

[alpha 4] In 1182, Dean Henry donated the parish church of Laminne to the chapter, which would keep it until it was abolished by the National Convention on 20 March 1797.

[alpha 6] Pope Celestine III, by a diploma given in Rome on 14 April 1188, confirmed all its possessions to the church of Liège.

[15] He then had the priory of Notre-Dame du Val-des-Écoliers [fr] erected in Liège, in a place then called Gravière (now La Gravioule) and in Saint-Martin-en-Ile, he raised and endowed, with his own money, an altar in honour of Thomas Becket of Canterbury.

Everything leads us to believe that the reconstruction of the collegiate church was very advanced in 1289; indeed, on 11 April, both the consecration of the church and the blessing of the altars took place; solemnities celebrated by the two suffragans of Liège, Edmont, bishop of Courland in Livonia, and brother Bonaventure, of the Order of Citeaux, bishop of Céa.

On 4 January 1374, the river Meuse grew so big that the island's neighbourhood was flooded as well as the collegiate church of St. Paul to the point where it could only be entered by boat.

On 15 January 1643, the flood that swept away the Pont des Arches covered the Latin Quarter of Liège and caused immense damage.

A metal plaque dating from 1926 is located to the right of the cathedral entrance indicating the height of the water at the time of the last flood.

On 24 December 1755 around 4 o'clock after dinner, tremors were felt in Liège which repeated themselves a quarter of an hour before midnight then a few minutes later.

In 1460, the chapter acquired certain buildings of the Abbey of Val-Saint-Lambert located in the villages of Ramet and Yvoz for 100 almuds of spelt to be supplied annually.

In 1530, by the munificence of Léon of Oultres,[18] the collegiate church was enriched by the large canopy illuminating the left arm of the transept at midday.

[alpha 9] The construction of the west portal under the tower is attributed to dean Thomas Stouten (1556 to 1564): the pediment of this portal is decorated with the arms of coat of Corneille de Berg who succeeded Erard de La Marck who died on 16 February 1538 and Robert who reigned from 1557 to 1564.

The first book published in the City was the Breviarium in usum venerabilis ecclesiœ collegiatœ Sti Pauli Leodiensis issued from the press of Gautier Morberius, the first printer in Liège.

After the destruction of the dardanelle erected on the Pont des Arches in 1790, the Christ which had been above this tower since 1663, a work of Jean Del Cour, was transferred there.

The chapter of St. Paul suffered the fate reserved for other religious buildings by revolutionary vandals: after looting the building, removing all metals, destroying the main glass windows whose lead was used to melt bullets, selling at auction the furniture, they installed a butcher's shop for their use; the cloisters were changed into stables.

On 30 December 1803, the Bishop wrote to the minister of worship Portalis asking that the government pay the fees and allowances due for the brought back from Hamburg.

[23] One month later, on 30 January 1804, Portalis replied that the government had decided that the amount of the objects delivered to Hamburg for the service of the navy would be reimbursed but that this service being extremely overburdened by the present circumstances, it could not foresee the moment when it would be liable to pay the effects which were assigned to it.

After the signature of the Concordat of 1801 and the restoration of the cult, Napoleon had the cathedral granted a recognition of one million to be paid from the treasury of the State, but this debt was not discharged during the imperial period.

The lintel of the portal bears an inscription that once appeared on the seal of the city: Sancta Legia Ecclesiae Romanae Filia (Holy Liège, daughter of the Roman Church).

The west gallery is older than the others and its ornamentation is also more meticulous, 17.50 by 4.75 metres long, it communicates with the collegiate church through a door surmounted by a great Christ in ancient wood.

The interior, masterpiece of the Mosan Gothic style, is all in pure lines and of great lightness. The elegant sobriety of the Meuse bluestone is enhanced by the yellow tuffeau of Maastricht and the yellow limestone of Lorraine. The vaults are painted with sumptuous 16th century rinceaux . The church thus appears as a "stone illumination". [ 1 ]
Interior
Saint Paul's Cathedral of Liège, altar of the abbey chapel and its altarpiece.
Jean Del Cour : limewood statue of St John the Baptist, dated 1682, from the église Saint-Jean Baptiste on Féronstrée
Saint Paul's Cathedral in Liège, the vault of the nave, with its yellow stone arches and its vaults coated and painted with rinceaux
Reliquary bust of Saint Lambert
Cathédrale Saint-Paul (mid-19th century)

Watercolor by J. Fussell
Plafond d'une chapelle, Cathédrale Saint-Paul
Cloister (east wing) of St. Paul's Cathedral in Liège
Saint-Paul de Liège Cathedral: South side, seen from the choir to the facade, with the back of the pulpit in the foreground.
Christ gisant (1696) by Jean Del Cour , Cathédrale Saint-Paul de Liège: Tomb effigy at the funerary monument of Walthère de Liverlo and Marie d'Ogier, from the former Church of the Sepulchres, known as the Good Children, in Liège.
The pulpit of the cathedral, as seen from the nave
Le génie du mal famous white marble statue by Guillaume Geefs , on the back of the pulpit.
Reliquary of Charles the Bold , 1470s
Reliquary of the true cross , c. 1420