Éluard comments: Je pensais révéler pour conclure le nom de la femme que j’aimais, à qui ce poème était destiné.
I confounded it with my most sublime aspiration, and this word Liberté was itself in my whole poem only to eternalize a very simple will, very daily, very apt, that of freeing oneself from the occupation.)
[4] According to Max Pol Fouchet, he convinced Éluard to reprint the poem in June 1942 in the magazine Fontaine, titled Une seule pensée, to reach the southern Zone libre.
[7] The complex history of Éluard's collections is detailed by the editors of his complete works, Lucien Scheler and Marcelle Dumas, particularly in Vol.
Francis Poulenc composed in 1943 Figure humaine, FP 120, a cantata for double mixed choir of 12 voices on this and seven other poems by Éluard.