Limerick Athenaeum

John Wilson Croker founded the Athenaeum Club in London in 1823, beginning an international movement for the promotion of literary and scientific learning.

Other founder members of this club included William Blake, Robert Peel, Lord John Russell, Sir Thomas Lawrence, T.R.

The building had been constructed in 1833-34 as the offices of St. Michael's Parish Commissioners to the plans of John Fogarty, who is noted for the design of Plassey House, now the nerve centre of the University of Limerick.

These shows used early multimedia techniques of sound, provided by an orchestra, visual effects via the magic lantern, and a live narration by an actor to expose the reality of current events.

The Athenaeum Archives have the Reports of AGMs of many of these clubs, which taken with the accounts of the fund-raising social events and concerts, provide insight into sporting life in the city in the 19th century.

In 1912, the Technical Education classes and part of the Limerick School of Art moved from the Athenaeum building to newly constructed premises in O'Connell Avenue.

The first newsreel shown at the Athenaeum was in 1913 with a film of the Garryowen v University College Cork rugby match, which created intense excitement in the city.

Notably, the Athenaeum opened its 'talkie' programme with the Al Jolson musical film Say It with Songs to celebrate St Patrick's Day in 1930.

In October 1930, the Athenaeum installed the ultramodern Western Electric Sound System, in time for the newly released Juno and the Paycock, an Alfred Hitchcock adaption of Seán O'Casey's play.

[9] Outbreaks of moral condemnation from Limerick's pulpits had "filthy" cinema posters removed by lay vigilantes, including 1932's Blonde Venus, starring Marlene Dietrich, and Cecil B. DeMille's 1934 version of Cleopatra.

Attempts by other interested parties, including theatre groups, to negotiate a lease with the VEC proved unsuccessful, with only sporadic openings over the next few years.

[3] In February 1990, classical music was reintroduced to the theatre when the Tuckwell Wind Quartet gave a performance, and two weeks later, the Irish Operatic Repertory Company from Cork revived opera at the Royal with a choir of 45 singers.

[3] The theatre required major reconstruction once again and was reopened on Sunday, 3 February 1991, by Brendan Daly, TD, Minister of State for Heritage Affairs, in the presence of the Mayor Madden, and members of Limerick Corporation, to a musical performance by Mary Black.

Other notable performers included Dolores Keane, Sharon Shannon, Don Baker, Paul Brady, Davy Spillane, Liam Ó Maonlaí, Julian Lloyd Webber, and The Saw Doctors.

This refurbishment project was carefully designed to preserve the historical building's important architectural features, including external facade, internal stairways, and sash windows, while at the same time providing the most modern in terms of access, furnishing, and technology.

The project involves the provision of three auditoriums, multipurpose lecture and performance space, digital lounge, editing studios, meeting rooms, and a cáfe.

[20] Limerick City Council granted planning permission in late 2012 and the first phase of the development it is expected to be ready for fit-out by mid-2014.

Further development of the site is to include incubation space for business start-ups and a permanent home for the Limerick Museum of Film.

Catherine Hayes, circa 1855
Cranberries Concert Ticket, 1991