Buddhist monks, artisans and scholars settled around the capital in Yamato Province (present day Nara Prefecture) and passed their techniques to native craftsmen.
Consequently, early Japanese sculptures from the Asuka and Hakuhō periods show strong influences of continental art, which initially were characterized by almond-shaped eyes, upward-turned crescent-shaped lips and symmetrically arranged folds in the clothing.
The workshop of the Japanese sculptor Tori Busshi, who was strongly influenced by the Northern Wei style, produced works which exemplify such characteristics.
By the early Tang dynasty, greater realism was expressed by fuller forms, long narrow slit eyes, softer facial features, flowing garments and embellishments with ornaments such as bracelets and jewels.
Stylistically, the sculptures were influenced by the high Tang style, showing fuller body modelling, more natural drapery and a greater sense of movement.
Representative examples of Nara period sculpture include the Great Buddha and the Four Heavenly Kings at Tōdai-ji, or the Eight Legions at Kōfuku-ji.
In the Heian period the zōbussho were replaced with temple-run and independent workshops; wood became the primary medium; and a specific Japanese style emerged.
Partially influenced by Song dynasty China, their sculpture is characterised by realism featuring elaborate top knots, jewelry, and wavy drapery.