The Hollywood Reporter wrote in February 2016, "There has been no shortage of films dealing with drones over the last few years... audiences have recently had the occasion to explore a form of modern warfare whose true repercussions are yet to be fully understood, let alone divulged to the general public.
"[1] The Wall Street Journal's Caryn James said of drone technology, "Movies and television shows increasingly grapple with those unprecedented aspects of war," highlighting Good Kill's release in 2015.
"[2] Henry Barnes wrote in The Guardian in April 2016, "In real life, drone warfare has prompted protests, legal action and revolt.
They either forget there's someone at the controls, emphasising the alien nature of a remote, robotic death, or, like London Has Fallen, use drones as just another weapon in the arsenal; a cool tool to make bigger, badder bangs."
[3] Jason Bourque wrote in The New York Times of Good Kill and Eye in the Sky, "Those films examined the moral struggles of military personnel as they conduct missions with clinical precision while far removed from danger.