Room acoustics
Room acoustics is a subfield of acoustics dealing with the behaviour of sound in enclosed or partially-enclosed spaces.
The architectural details of a room influences the behaviour of sound waves within it, with the effects varying by frequency.
Acoustic reflection, diffraction, and diffusion can combine to create audible phenomena such as room modes and standing waves at specific frequencies and locations, echos, and unique reverberation patterns.
Similar to the calculation of standing waves inside a pipe with two closed ends, the modal frequencies
are mode numbers corresponding to the x-,y-, and z-axis of the room,
are coordinates of a point contained inside the room.
Axial modes are one-dimensional, and build up between one set of parallel walls.
Tangential modes are two-dimensional, and involve four walls bounding the space perpendicular to each other.
Finally, oblique modes concern all walls within the simplified rectilinear room.
[5] A modal density analysis method using concepts from psychoacoustics, the "Bonello criterion", analyzes the first 48 room modes and plots the number of modes in each one-third of an octave.
[6] The curve increases monotonically (each one-third of an octave must have more modes than the preceding one).
[7] Other systems to determine correct room ratios have more recently been developed.
[8] After determining the best dimensions of the room, using the modal density criteria, the next step is to find the correct reverberation time.
[9] Times about 1.5 to 2 seconds are needed for opera theaters and concert halls.
For broadcasting and recording studios and conference rooms, values under one second are frequently used.
The recommended reverberation time is always a function of the volume of the room.
Several authors give their recommendations [10] A good approximation for broadcasting studios and conference rooms is: with V=volume of the room in m3.
[12][13] A valuable simplification of the task was proposed by Oscar Bonello in 1979.
This system gives a large acoustic absorption at low frequencies (under 500 Hz) and reduces at high frequencies to compensate for the typical absorption by people, lateral surfaces, ceilings, etc.
The term acoustic space was first mentioned by Marshall McLuhan, a professor and a philosopher.
Some kinds of architecture need a proficient design to bring out the best performances.
For example, concert halls, auditoriums, theaters, or even cathedrals.
