The lituus was a crooked wand (similar in shape to the top part of some Western European crosiers) used as a cult instrument in ancient Roman religion by augurs[1] to mark out a ritual space in the sky (a templum).
[citation needed] From the end of the 10th through the 13th centuries, chroniclers of the Crusades used the word lituus vaguely—along with the Classical Latin names for other Roman military Trumpets and horns, such as the tuba, cornu, and buccina and the more up-to-date French term trompe—to describe various instruments employed in the Christian armies.
[8] The early Baroque composer and author Michael Praetorius used the word as a Latin equivalent of the German "Schallmeye" (shawm) or for the "Krumbhoerner" (crumhorns)—in the latter case also offering the Italian translations storti, and cornamuti torti.
[9] A more particular term, lituus alpinus, was used in 1555 by the Swiss naturalist Conrad Gessner when he published the earliest detailed description of the Alphorn: "nearly eleven feet long, made from two pieces of wood slightly curved and hollowed out, fitted together and skillfully bound with osiers".
[10] A study made of Swedish dictionaries found that during the seventeenth century lituus was variously translated as sinka (= German Zink, cornett), krumhorn, krum trumeta (curved trumpet), claret, or horn.
[16] A number of musical compositions from the Baroque era specify an instrument by the Latin name lituus, including Bach's motet O Jesu Christ, meins Lebens Licht (BWV 118), a partita attributed to Jan Josef Ignác Brentner, as well as several masses and concertos by Johann Valentin Rathgeber.