Rupert Christiansen of The Telegraph remarked that "she lacked nothing in volume or stamina, articulating the coloratura cleanly and pitching steadily ... if only one could have detected which language she was singing in.
In his review of the DVD, William Braun of Opera News wrote: "Liudmyla Monastyrska's Lady Macbeth is unusually well sung.
The role in the 1865 version is a nasty vocal hybrid, but she does beautifully with the later style, sounding quite suitably apprehensive at the start of 'La luce langue,' as the plot spins.
"[7] She first appeared in New York at the 11 November 2012 annual concert of the Richard Tucker Music Foundation, where her "go-for-broke" performance of Lady Macbeth's "Vieni, t'affretta" received "a big ovation".
The critic of The New York Times, Corinna da Fonseca-Wollheim, wrote: "For Liudmyla Monastyrska, who brought her voluptuous soprano to the title role, it was a triumphant house debut.
A passage in which Ms. Monastyrska’s lines were perfectly shadowed by the cellos, even as they were elastically shaped, spoke volumes about the trust and communication between Mr. Luisi and his singers.