The performances were "[c]ulled from the private collection of founding member Mick Harvey with assistance from super fan Henry Rollins".

"Though various live releases had emerged over the course of the band's existence," writes Ned Raggett for Allmusic, "no full-length capturing of the Party's particular bacchanalia approved by the group had officially emerged until this release [...][The album] threatens at all points to leap from the speakers and throttle innocent bystanders.

Whether it’s Nick Cave’s howls and murderous screams, Harvey’s squalor of blues guitar playing, Rowland S. Howard’s high pitched guitar riffs, Tracy Pew’s thumping bass being buried in the background and Phil Calvert’s hammering drum sound, this beast finds the band at their peak.

He finds the only downside of the album to be the fact that it "has been taken from three different locations and melded into one piece of music" instead of being from a single live show.

[9] The sound quality of the performances received praise, as did the band's cover of "Fun House", the latter of which has been described as "viciously maul[ed] and deface[ed] [in comparison to the original]"[10] and a "relentless eight-minute thrash [...] with Jim ‘Foetus’ Thirlwell riding shotgun on sax that provides a suitably Bacchanalian climax.