Live After Death

Iron Maiden's World Slavery Tour began in Warsaw, Poland on 9 August 1984[2] and lasted 331 days,[3] during which 187 concerts were performed[4] To tie in with their 1984 album, Powerslave,[5] the tour's stage show adhered to an ancient Egyptian theme, which was decorated with sarcophagi and Egyptian hieroglyphs, and mummified representations of the band's mascot, Eddie, in addition to numerous pyrotechnic effects.

[6] The theatricality of the stage show meant that it would become one of the band's most acclaimed tours, making it the perfect backdrop to their first live double album and concert video.

[7] For the Live After Death video, the band hired director Jim Yukich to film two shows of their four-night run at Long Beach Arena, California from 14 to 17 March 1985.

Engraved on his tombstone is a misquote from fantasy and horror fiction author H. P. Lovecraft's The Nameless City:[14] "That is not dead which can eternal lie Yet [sic] with strange aeons even death may die."

Also engraved on the headstone is what appears to be Eddie's full name, "Edward T H--", the remainder of which (his supposed surname, "Head") is obscured by a clump of sod.

[15] The back cover depicts the rest of the graveyard and a city being destroyed by lightning, which Riggs states was inspired by John Martin's painting, The Destruction of Sodom and Gomorrah.

[14] Death appears in the clouds above the destroyed city; the character is a regular feature of Riggs' covers (such as "Twilight Zone", "The Trooper", Powerslave and Somewhere in Time).

The intro before "Aces High" is a part of the We shall fight on the beaches speech made by Winston Churchill in the House of Commons on 4 June 1940.

"[13] PopMatters describes it as "a searing, 102-minute collection of Maiden at [their] peak ... an absolute treasure for fans [which] went on to be universally regarded as an instant classic in the genre".

[30] The album's video counterpart received similar critical acclaim, with AllMusic stating that "Live After Death is a visual pleasure as much as a sonic one.

"[31] All tracks are written by Steve Harris, except where notedProduction and performance credits are adapted from the album,[35][33] VHS and DVD liner notes.