[3] Writing in a review in the Financial Times, Ludovic Hunter-Tilney described Live in Paris 1973 as "a vivid tribute to [Suzuki's] role in one of the best improvisational groups in rock’s history.

He said their long jams in Paris that night were "mesmerising", and Suzuki was often another instrument, "wailing with the guitar or barking chopped-up phrases in time to the rhythms.

"[7] Sylvain Siclier wrote in a review of the album in Le Monde that Can's rendering of "Vitamin C" in "Fünf" is "beautiful" (belles), and added that Suzuki is "wonderful" (merveilleux) here.

[6] Janne Oinonen wrote in The Yorkshire Post that Can "excelled in 'regressive rock', with the musicians scaling back every ounce of flab to arrive at a pure essence of groove that unveils a lean, fiercely potent European brand of avant-funk.

"[9] All tracks composed by Irmin Schmidt, Holger Czukay, Michael Karoli, Jaki Liebezeit and Damo Suzuki.