Micić's Zenitism was supported by a small number of younger Yugoslav artists, namely Mihajlo Petrov, Vasa Pomorišac, Jovan Bijelić, Petar Dobrović, Ivan Radović.

Beside clear contradictions in their statements, Zenitists placed humans in the center of their attention and advocated antitraditionalism, antimilitarism and reaching out to new media and art forms such as radio, film, and jazz.

His ideas in favor of primitive and folk art came after World War I and general disappointment in the culture of Western Europe.

[8] After his death, a collection of art and documentation of his publishing activities were found in his apartment, thus stimulating fresh research into the history and aesthetics of Zenitism.

Micić's possessions, including a number of paintings, collages, drawings, books, and magazines were given to the National Museum of Serbia in 1980 and today they are a part of the permanent exhibition.