On September 16, 2014, Roberts announced a 16-city worldwide tour to promote the album, beginning at The Garage in London and finishing at Rogers K-Rock Centre in Kingston with fellow Canadian band Besnard Lakes as a supporting act.

[4] AllMusic writer Matt Collar called it "a melodic, psych-inflected album that showcases Roberts' knack for mixing gigantic, propulsive rock melodies and dance-oriented hooks", saying that its "at once organically rootsy and studio sophisticated, with songs that straddle the line between stadium shouters ("We're All in This Together") and midtempo club anthems ("The Hands of Love").

"[6] Joshua Kloke of NOW noted how the record utilizes a combination of the "wandering vibe" from Chemical City and the "jazzy feel" of Collider, saying that it can be "airy and middling" at times.

He concluded that "Thankfully, though, Roberts is less concerned with sticking to a chunky, riff-driven formula than with experimenting with the many layers that he and his band are capable of producing.

"[7] In a negative review for Slant Magazine, Kyle Fowle found the electronic elements "overbearing", with each track containing "stale production flourishes and gratuitous layers of reverb."