The school moved across the Charles River to Cambridge in 1930, and in 1937 took up residence in the stone mansion at One Follen Street; originally built in 1889 by railroad baron Edwin Hale Abbot.
Many of Harvard’s most talented music students, including Elliott Carter and Daniel Pinkham, crossed the Cambridge Common to study with Longy’s performance faculty.
Rosenbaum's tenure as director saw the establishment of the opera and modern American music departments as well as a growth in student numbers from 600 to 1,200, and in the annual budget from $600,000 to $3.5 million.
The merger with Bard College in June 2011 [8] established a Master of Arts in Teaching in Music degree program, located in Los Angeles, California.
As is the case with the firm's designs for Cambridge City Hall, the house's extensive Richardsonian detailing, and winding open stair, recall two of the partners' previous work in the office of legendary Boston architect, H. H.
The program included construction of the Bakalar Music Library, which opened in 1992; acquisition and restoration of the Rey-Waldstein Building; and renovation and expansion of the Edward M. Pickman Concert Hall.
In 2006, the Cambridge Historical Commission recognized Longy with a Preservation Award for the quality of its restoration and renovation, designed by Wolf Architects of Boston.
Named in honor of Edward M. Pickman, president of the board of trustees from 1955 to 1959, the 300-seat birch-lined hall provides a setting for masterclasses, and solo and chamber performances.
Its juxtaposition of abstract contemporary volumes of brick and stone, with the historic masonry forms of the Abbot House, has been admired over the decades as a model combination of old and new.