Louis Tillett

As a solo artist, he issued seven albums, Ego Tripping at the Gates of Hell (1987), A Cast of Aspersions (1990), Letters to a Dream (1992), Cry Against the Faith (1998), Learning to Die (2001), The Hanged Man (2005) and Soliloquy (2006).

[1][4] In February 1984 The Wet Taxis first toured Melbourne, they were hailed as sporting an American garage-style psychedelic sound, they covered bands such as MC5, Moving Sidewalks and Unrelated Segments.

[8] Back in late 1983, Tillett worked with Damien Lovelock of The Celibate Rifles and Brett Myers of Died Pretty in a side project, No Dance.

[1] The trio issued a three-track EP, Carnival of Souls, in March 1984; which featured lead vocals by each member: Tillett's "Swimming in the Mirror", Lovelock's "You Say", and Myers' "Just Skin".

[10] By late 1984 Tillett was working with another side project, Paris Green, with a core of himself, Raoul Hawkins on bass guitar, and Jeffrey Wegener on drums (ex-Laughing Clowns) joined by "a loose aggregation of musicians".

[1] According to McFarlane Paris Green "covered material ranging from Mose Allison to John Coltrane, Ray Charles to Nina Simone, and on any given night there was as many as nine or ten musicians on stage".

[1][4] By May they were joined by a brass section of Dianne Spence on saxophone, Kathy Wemyss on trumpet (both ex-Laughing Clowns), and Gladys Reed on trombone.

[1] They issued a single, "Sailor's Dream" in May 1987, which was produced by Rob Younger (of Radio Birdman, New Christs) at Paradise Studios for Citadel Records.

[1] Tillett recorded his debut solo album, Ego Tripping at the Gates of Hell, with bandmates Ikinger and Spence; Burdett and Owen (both now ex-New Christs); and with Lenny Bastiaans on bass guitar.

[1] Tillett told Stuart Coupe of The Canberra Times his motivation, "[it] was to play songs within a wide spectrum, everything from a full band through to a duet.

[1][10] It was "another eclectic set of material driven by Tillett's booming baritone voice and smouldering organ, Owen's jagged guitar lines and the swinging brass arrangements" according to McFarlane.

[1][10] The backing group were disbanded in the next year as Tillett worked on his solo album, Letters to a Dream (October 1992), which he co-produced with Barry Wolfison.

[14] Later that year Tillett and Owen joined Tex Perkins' backing band on a promotional tour for the latter's debut solo album, Far Be It from Me (August 1996).