[1] [2][3] Neaderland was an alumna of Bard College (1954) and received a Master of Fine Arts degree in printmaking from the University of Iowa in 1957.
[citation needed] In 1986 she was awarded a National Endowment for the Arts grant for artists' bookmaking.
Quarterlies book art editions are in the Special Collections and Archives of the James Branch Cabell Library on the Monroe Campus of Virginia Commonwealth University.
Quarterlies to Bard College at Simon's Rock in Great Barrington, Massachusetts, along with copies of all of her books, 62 in all.
For thirty-five years she has used the photocopy machine as a creative tool, editioning prints and artists' books under the imprint (also known as the imprimatur) of Bone Hollow Arts,[21] located in Brooklyn, New York.
Roy Proctor, art critic for the Richmond News-Leader, said of Neaderland in a 1990 review of the exhibition Art ex Machina at 1708 Gallery, then located in Shockoe Bottom in Richmond, Virginia, "She's living proof that, when a new technology begins to be mass-produced, artists will be curious enough--and imaginative enough--to explore its creative uses.
"[25] In 1994 Proctor also reviewed Art ex Libris, a curated invitational exhibition of artist's books, including books by Neaderland, at Artspace in Richmond, Virginia, then on Broad Street in Richmond Virginia.
[26] A short history of Xerox art in Fungiculture Journal profiles Neaderland and the development of the ISCA Quarterly in sections called "Laziness and the Invention of Tools" and "When the Muzak Ends.