The production on the album was handled by multiple producers including Buddah Bless, London on da Track, Murda Beatz, Scott Storch, Zaytoven, Boi-1da, Vinylz, and Lee Major among others.

[9] Writing for Billboard, Jason Lipshutz felt that "Back for Everything showcases Kodak's ability to pluck pop-ready melodies out of ethereal beats, his signature croak sounding more nimble than before as he reflects on his fame, personal ordeals and future plans; with few guest stars, the project is intimate in a way that Kodak Black, a fascinating hip hop superstar demand".

[13] AllMusic also wrote that on some tracks, "his performances tend toward the generic, stumbling through by-the-numbers bragging about his wealth or forgettable tales of struggles and hardship coming up.

Though Back for Everything is still enjoyable as a nearly hour-long project, Kodak Black's performances run out of inspiration long before the production, and the entire album could benefit from an edit that cuts out roughly under half of the inferior tracks to let the stronger ones shine".

"[11] Back for Everything debuted at number two on the US Billboard 200 chart, earning 60,000 album-equivalent units (including 3,000 copies in pure album sales) in its first week.