In Paris she participated in composition seminars with Gérard Grisey (1993–1996) and took part in the annual computer music courses at IRCAM (1997) under the supervision of Tristan Murail.

In 2003 she started working at the Experimentalstudio of Freiburg, where she wrote a cycle of compositions that explore the sound configuration of the viola, with the assistance of André Richard, Reinhold Braig and Joachim Haas and in collaboration with the violist Barbara Maurer; it was presented in Berlin Festival Ultrashall in 2007 and is called Xylocopa Violacea, recorded by Stradivarius in 2010.

Sub-urbanity is featured in Rumori da monumenti, 2007 to a text by Ivan Vladislavic, and also in Sebenza e-mine, an audio play of 2010 in collaboration with Philip Miller.

For her music theatre projects, she has collaborated with writers Ermanno Cavazzoni, Ivan Vladislavic and Eugene Ostashevsky, and with artists such as Toti Scialoja [it], Alberto Sorbelli, Judith Cahen, Dörte Meyer, Adrian Tranquilli, Elisabetta Benassi, and Mirella Weingarten, and with sound designers Marie-Hélène Serra, Folkmar Hein, André Richard, Reinhold Braig, Carl Faia, Olivier Pasquet and Thomas Seelig.

Her opera Inferno based on Dante's Divine Comedy, using his poetry, was commissioned by the Oper Frankfurt, and was premiered in a concert performance at the Bockenheimer Depot on 27 June 2021, conducted by Tito Ceccherini.