Lucijan Marija Škerjanc

His style reflected late romanticism with qualities of expressionism and impressionism in his pieces, often with a hyperbolic artistic temperament, juxtaposing the dark against melodic phrases in his music.

He spent many years teaching composition at the Ljubljana Academy of Music, teaching composers such as Nada Ludvig-Pečar and Mirca Sancin[3] whilst serving as a chancellor for a period and was a pianist, conductor, music writer, and director of the Slovenian Philharmonic Orchestra based in the country's capital.

[4] Apart from sonatas, he notably composed a cycle of seven nocturnes, which many consider his greatest piano oriented work, and seven orchestral pieces Gazele (Ghazels).

Škerjanc received the Prešeren Award four times, in 1947 for his Concert for Violin and Orchestra (Slovene: Koncert za violino in orkester), and then again in 1948, 1950, and 1971.

In 2001, he was commemorated by appearing on a postage stamp of Slovenia which featured a portrait of him by Božidar Jakac against the manuscript of his symphonic poem Marenka.

Lucijan Marija Škerjanc in the 1920s