Lucky (Waiting for Godot)

[1] Lucky is unique in a play where most of the characters talk incessantly: he only utters two sentences, one of which is more than seven hundred words long (the monologue).

[citation needed] Lucky is often compared to Vladimir (just as Pozzo is compared to Estragon) as being the intellectual, left-brained part of his character duo (i.e. he represents one part of a larger, whole character, whose other half is represented by Pozzo).

Read this way, Pozzo and Lucky are simply an extreme form of the relationship between Estragon and Vladimir (the hapless impulsive and the intellect who protects him).

The monologue is long, rambling word salad, and does not have any apparent end; it is only stopped when Vladimir takes the hat back.

Within the gibberish Lucky makes comments on the arbitrary nature of God, man's tendency to pine and fade away, and towards the end, the decaying state of the earth.

Mehdi Bajestani , as Lucky , (from a production by Naqshineh Theatre ).