In 1998 he was appointed professor for Early music at the Hochschule für Musik Carl Maria von Weber Dresden.
[1] His main interest was to research German music of the 17th and 18th century and to revive the discovered works in performances and recordings, taking into account their position in historic and literary context.
[2] On 23 September 2005 he revived the opera Didone abbandonata of Domenico Sarro to a libretto by Pietro Metastasio, successful in 1724, in a shortened concert version, performed at the Schloss Elisabethenburg in Meiningen by Les Amis de Philippe.
[3] Between 1995 and 2007 he served as a juror at the International Competition for harpsichord and Fortepiano at the Festival van Vlaanderen in Bruges.
[6] As a conductor, he recorded in 1999 a collection of four church cantatas, Philipp Heinrich Erlebach's Gelobet sei der Herr täglich combined with two works by Georg Benda and one by Carl Friedrich Gessel, with the Michaelstein Telemann Chamber Orchestra.