His smooth, precise painting also shows the influence of his contemporary Luigi Bisi in its descriptive focus on architectural detail.

He presented work regularly at the exhibitions of the Società Promotrice di Belle Arti in Turin from 1842 to 1848 as well as those of the Brera Academy.

Frequent stays in the Caucasus and the Middle East provided new subjects for his paintings, which he continued to send to Italian exhibitions, where they aroused wonder and curiosity.

He displayed many watercolors at the 1880 Exposition Nazionale of Fine Arts in Turin, including: Camera da pranzo; Saint Basil's Cathedral in Moscow; The Villa of Prince Voronzow in Crimea; The Convent of St George the Pure in Crimea; The Takeiseray and Capo di San Giorgio near Balaclava.

In Tiflis (Tbilisi), he painted a watercolor of the Via dei Calzolari Asiatici; Houses and Tartar Bazaar : Angolo di Case sul gran mercato; Angolo di case al ponte Aolabar, Via Sienskaja, The Magnificent Aolobar Bridge over the Kura River, The Right Bank of the Kura River, and the Piazza del gran Mercato Maydan.