While in France he became aware of the writings of Ferdinand Bac, a German-French writer, designer and artist whom Barragán cited throughout his life.
In this trip he met Mexican mural painter José Clemente Orozco, architectural magazine editors, and Frederick Kiesler.
In 1947 he built his own house and studio in Tacubaya and in 1955 he rebuilt the Convento de las Capuchinas Sacramentarias in Tlalpan, Mexico City, and the plan for Jardines del Bosque in Guadalajara.
Barragán worked for years with little acknowledgement or praise until 1975 when he was honored with a retrospective at the Museum of Modern Art in New York City.
[citation needed] There have been several essays written by the Pritzker Prize recipient Alvaro Siza in prefaces to books that make reference to the ideas of Barragán.
[citation needed] Louis Kahn informally consulted Barragán on the space between the buildings of the Salk Institute in La Jolla, California.
[5] According to the documents, Kahn's original idea was to place a garden between the buildings; however, Barragán suggested that an open plaza, with only a water feature in between, would better reflect the spirit of the location.
This area, possibly designed with Barragán's advice in mind, is arguably the most impressive aspect of the building complex.
He was a highly recognized consultor by many Mexican and International architects on landscape design, as he had a particular ability to envision the outdoor spaces and their relation to their interior paradigms and the natural context characteristics.
One of the projects, where Barragán's concepts and colors inspired Legorreta, is the Hotel Camino Real in Polanco, Mexico City.
Díaz Morales established the Fundación de Arquitectura Tapatía, a private foundation managed by the Casa Barragán, in co-ownership with the Government of the State of Jalisco.
The documents were offered to a number of prospective clients, among them the Vitra Design Museum,[9] which in 1994 was planning an exhibition dedicated to Luis Barragán.
The Foundation's mission is to spread the knowledge on Luis Barragán's cultural legacy by means of preserving and studying his archives and related historical sources, producing publications and exhibitions, providing expertise and assistance to further institutions and scholarly researches.