Lullaby Land (album)

called it their best work, saying "these folks can turn collage into counterpoint the way only masters of the avant-garde have done; Zappa comes to mind for those old enough to remember the delirious metamorphoses on Absolutely Free."

[3] Keyboard said "Unlike the single-mindedness of death metal (which has some of the terroristic sounds and voices), this music offers more color and intellectual possibilities.

Buzz (magazine) agreed, saying "The Rodents have scoffed at conventional song formation and continue to do so, incorporation cello and violin into a deranged stew that sounds something like Robocop dismembering an orchestra.

), guitar, live percussion, and a very eccentric repertoire of samples that often implode into a 1000 points of noise," concluding that "I was particularly taken with the moody ambience of Akrotiri and propulsive density of Bosch Erotiqe."

Bypassing the too easy and predictable formula of blood and screams, the Rodents' vision involves nail-biting strings, don't-open-that-door horn blasts, bump-in-the-night drum beats, and mortuary vocals to provide a chair-arm gripping listening experience."