Smaller local concerts are held occasionally, while regionally, the choir frequently cooperates with symphonic orchestras, such as those of nearby Malmö or Helsingborg.
This was the first time a male quartet appeared at a concert in Lund, although there had been more or less loosely organized exercises for a couple of years.
The money that had been raised was handed over to Akademiska Föreningen but since the amount was considered too small, Lindblad and his friends were accused of having had unnecessary expenses and were never thanked.
Angered by the accusations (the quartet had made the tour on their own initiative and without any funding), Lindblad left Lund for Mellby in 1847.
Although not an exceptional talent like Lindblad, Borg is regarded as instrumental in the history of the choir simply for keeping it alive in the coming years.
The new efforts were both appreciated for the artistic up-lift as well as criticized for dropping (too much of) the nationalistic songs and what was perceived as typical student singing.
The concept of an elite choir, as first conceived by von Sydow, was realized and tours were made in the years of 1878, 1882, and 1885.
Similarly, the elite choir Lilla Kören was given a much more solid ground with statutes about admission tests etc.
In 1951, Axel Melander appeared and revived the tours abroad and during the twenty years of his leadership, the choir regained its former level and status.
Mats had earlier announced that he would not continue as conductor, and during the spring 2008 the choir was conducted by Fredrik Malmberg.
The acquisition was made possible by an earlier donation and the society now has its own house after 129 years in their old home, Sångsalen at Akademiska Föreningen next to the Lund University main building.