One song composed by Luys for judgement in the Consistori's contests has survived, addressed appropriately to los senhors set of the gay sauber.
[5] In this poem the artificial restraints imposed by the Consistori through its Leys d'amor (laws of love, i.e. poetic composition) are evident in Luys' verse.
Martín de Riquer describes his poetry as the pure and fluid unfolding of traditional troubadour themes with discreet ornamentation.
[9] The feudo-vassallic allegory of love pervades Luys' writings, no more so than in those dedicated to Margarida, wherein he sometimes describes the concrete realities of her court.
[10] The piece of Luys' that most stubbornly resists comprehension is a tenso with a certain Regadelh: Frayres molt cars, meravila•m de vós.
The longest of Luys' surviving works is his 523-line, hexasyllabic Consolació o Avís d'amor, which ends with a summary stanza in decasyllables.
Unlike similar Catalan works of the same era, such as Johan Basset's Letovari and Bernat Metge's Medicina, Luys' Consolació is heavy and serious in tone.