En la mente del asesino (2002), codirected with Agustí Villaronga and Isaac Pierre Marcel Racine,[5] in which she also had an uncredited cameo and for which she appeared, together with Racine and Villaronga, on Versión española [es], directed by Félix Piñuela and broadcast by Televisión Española, on 1 April 2005 and on Sala 33, directed by Àlex Gorina i Macià [ca] and broadcast by TV3, on 18 December 2010.
She codirected with Agustí Villaronga a television documentary titled Fe about and broadcast by RTVE as part of the series 50 años de on 10 December 2009, and worked as a camera operator during the production of Mariano Barroso's 1994 film Mi hermano del alma and the 2011 film Barcelona, abans que el temps ho esborri [ca] directed by Mireia Ros [es].
[8] Zimmermann's video art, dealing with topics ranging from Andrei Tarkovsky's 1966 film Andrei Rublev, Blanca Portillo's incarnation of Mary during a stage adaptation of Colm Tóibín 2012 novel The Testament of Mary directed by Agustí Villaronga, the Cercle Artístic de Sant Lluc, and fashion designer Jesús del Pozo to Théodore Géricault's 1818–1819 painting The Raft of the Medusa as well as his other work, a 2012 homage to Maria Mercè Marçal titled Ferida arrel: Maria-Mercè Marçal [ca] and the personas of Elisabeth Kübler-Ross and Robert Capa, supported by the Consell Nacional de la Cultura i de les Arts [ca] and by Banco Sabadell, has appeared at the Centre d'Art Santa Mònica and at the Cercle Artístic de Sant Lluc.
Two television films directed by her, La dona de gel (2003) and Perfecta pell (2005), were broadcast by RAI and TV3, and she has also written a screenplay based on Paul Auster's 1995 short story collection The Red Notebook titled Correspondencia.
[1] She appeared during the televised ceremony broadcast by TV3 and titled Premis Gaudí de 2011 [ca], directed by Joel Joan and Adrian Smith.