Méditations sur le Mystère de la Sainte Trinité ("Meditations on the Mystery of the Holy Trinity") is a work for organ by the French composer Olivier Messiaen.
It can be broken down as follows: This movement revolves around Langage communicable and features only one sentence taken, again, from Thomas Aquinas's Summa Theologica, Part I, question 28, article 2, conclusion: "La relation réelle en Dieu est réellement identique à l’essence" (Relation really existing in God is really the same as His essence).
It is the longest meditation in the cycle and is structured as follows: This movement is dedicated to the Son, the second element in the Holy Trinity.
It is structured as follows: The composition method used by Messiaen featured several recognizable items that he went on to develop throughout his life and used in other works.
Messiaen also cites Richard Wagner as one of the precursors of communicable language, since he put forward the leitmotiv in his Ring cycle.
In his opinion, it is often effective at communicating since it is based on convention, as listeners need to know the leitmotifs in advance in order to grasp the content of his work.
Since notes further from H are not universally accepted, he proposed his own method based on the premise "un son, un régistre, une durée" (one sound, one register, one duration).
This is the complete alphabet: To make the language simpler and avoid word accumulation, all articles, pronouns, adverbs, and prepositions were deleted.
By keeping only nouns, adjectives, and verbs, he used Latin declension and communicated the case before each word by means of a musical formula.