Popular within the Latin club scene while simultaneously pioneering a darker, more experimental, more poetic side of Spanish-language electronica, Mœnia has had three top-20 hits.

The project began when sophomore year student Juan Carlos Lozano along with Alfonso Pichardo and Jorge Soto shared various musical tastes such as punk and New wave.

With very few copies released, the album included an early but darker sounding version of "Color melancolía" (which was re-recorded in the 1996 edition), however it did not meet significant expectation and was immediately deemed a commercial failure.

After that album's failed attempt, In 1993 Pichardo steps down from the band as he decided to complete his master's degree in the United States, the situation forced Lozano to take over as vocalist.

Alejandro Ortega (Alex Midi), a self-taught musician on guitar and synthesizers who was also a DJ at several nightclubs in the early 1990s joins the band in 1994.

Juan Carlos exits Moenia in late 1998 after an extensive tour and moved on to form the still electronically oriented but more guitar-centered Morbo, despite the acclaimed success of 1996's Mœnia and its subsequent album of remixes (a risky and previously unheard of novelty in the Mexican music industry), Pichardo returned with the remaining two of his former bandmates to complete Mœnia's line-up, which has remained unchanged since 1999.

It is a series of successful 1980s and 1990s Latin pop/rock and ballad hit covers such as "En Algún Lugar" by Duncan Dhu, "Tren Al Sur" by Los Prisioneros, "Beber de Tu Sangre" by Los Amantes de Lola, "Mátenme Porque Me Muero" by Caifanes and "Ni Tú Ni Nadie" by Alaska y Dinarama.

Produced by Armando Avila, featuring notable guests such as Paco Huidobro (Fobia), María José and former fellow frontman/vocalist Juan Carlos Lozano.

Other singles such as "Me Liberé" and "Prohibido besar" (which features Playa Limbo vocalist María León) would follow that pattern respectively.

This album once again features memorable 1980s and 1990s hits such as: "Llámame si me necesitas" (Miguel Mateos / ZAS, 1986), "La célula que explota" (Caifanes, 1990), "El diablo en el cuerpo" (Size, 1984), "A un minuto de ti" (Mikel Erentxun, 1992), "Maldito duende" (Héroes del Silencio, 1990) among others.