[4] Reeder brought in Torsten Jurk and Matt Graver, who shortly after left the label to become the manager of Atari Teenage Riot.

The first artist to be signed on the label was Rocky, followed by VOOV, Paul Browse, and Johnny Klimek known as "Effective Force" and Gaby Delgado from DAF and Saba Komossa's "2 German Latinos", and "Neutron 9000".

Reeder's vision to create a melodic, uplifting and positive sounding version of Techno was eventually to be realised by Cosmic Baby.

One of the most known projects under MFS was, "The Visions of Shiva", a collaboration by Cosmic Baby (Harald Blüchel) & Paul van Dyk.

Reeder who continued the label later faced a lawsuit with Paul van Dyk over his third studio album, which turned out to be "Out There and Back"[6] which was eventually released on Rob Deacon's Deviant Records UK.

Reeder decided he wanted to distance himself from trance and focus more on other genres, mainly techno and a new deeper, sexier sound he had devised and created with Corvin Dalek, which he called Wet & Hard.

The focus on the "Flesh" label was Wet & Hard[7] and "Telemetric" was mainly techno, including some deeper trance releases.

"Flesh" records are rare and most sought after these days and are easily recognised through their distinctive "HotKunst" (hot art) artwork style which Reeder and Dalek created and which frequently caused controversy, one CD "Assorted Lovetoys was even banned in Switzerland.

After releasing two albums FivePointOne (2011) and Mauerstadt (2017), Reeder's reworks with Blank & Jones for Reordered (2008) as well as numerous remixes for bands like New Order, Depeche Mode and the Pet Shop Boys.

In the Spring of 2017, Reeder undertook a two-month tour of China with his documentary film "B-Movie: Lust & Sound in West-Berlin", a movie made up of original 80's footage, about his early life in the walled-in city.