The most famous Kika's work is called Macedonian Criticism of French Thought, where he expounds his idee fixe, developed by that time.
In order to get that done, Kika rents a factory near Paris, where people are physically abused while reading passages from Michel Foucault's book Discipline and Punish.
His further fate is unknown; what is clear is that he is alive, making statements in the press about the crushing defeat of the French philosophical thought.
In this story, Pelevin attempts to overcome the crisis of the genre of postmodernism by recognizing the "extremes" of the style and by "undermining" its theoretical and artistic attitudes.
However, this is related, as the reader suspects, to the lack of clarity in their theoretical constructions: "In the case of Jean Baudrillard, all affirmative propositions can be changed into negative ones without any damage to their meaning.
[3][4][5] In the book of Pelevin's protagonist, the new intellectual Tatar Kiki Nafikov, clearly traumatized by French philosophy, postmodernism is used to explain the realities of Russian life in the 1990s.