Machinal is a 1928 play by American playwright and journalist Sophie Treadwell, inspired by the real-life case of convicted and executed murderer Ruth Snyder.
Its Broadway premiere, directed by Arthur Hopkins, is considered one of the highpoints of Expressionist theatre in history of the American stage.
Produced and directed by Arthur Hopkins, Machinal opened on Broadway at the Plymouth Theatre on September 7, 1928, and closed on November 24, 1928, after 91 performances.
The scenic design was by Robert Edmond Jones,[4] who used an open stage with a permanent background and made scene changes primarily with lighting.
[7] "It was unfortunate that word was sent broadcast before the first performance of Machinal that its theme and characters grew out of the notorious Snyder-Gray murder case," wrote Perriton Maxwell, editor of Theatre Magazine.
"[6] "From the sordid mess of a brutal murder the author, actors and producer of Machinal … have with great skill managed to retrieve a frail and sombre beauty of character," wrote theatre critic Brooks Atkinson of The New York Times.
Reviewing the starring performance of Joan Lorring, Jack Gould of The New York Times wrote that "her interpretation of the mentally tortured young woman in Machinal, Sophie Treadwell's expressionistic and bitter poem for the theatre, must rank among the video season's finest accomplishments."
[11] Machinal was produced Off-Broadway at the Gate Theatre, opening in April 1960, with direction by Gene Frankel, and featuring Delores Sutton, Vincent Gardenia, and Gerald O'Loughlin.
[12] In his review in The New York Times, Brooks Atkinson wrote "Gene Frankel has added modernistic details that visualize the inhumanity of the background... Ballou's cold settings, Lee Watson's macabre lighting complete the design of one of Off-Broadway's most vibrant performances.
Directed by Michael Greif, the cast featured Jodie Markell (Young Woman), John Seitz (Husband), and Marge Redmond (Mother).
[25] Costume designs were by Nicky Gillibrand, lighting by Adam Silverman, sound by Benjamin Grant and casting by Ginny Schiller.