The drums' bodies may be embellished with elaborate carvings, paintings, or other ornamental features that speak to the instrument's local and cultural influences.

A musician may produce a wide range of sounds, from crisp, piercing treble notes to deep, resonant bass tones.

When building a Madal, material selection is essential because it has a big impact on the instrument's tone and playability.

[13] This percussion instrument has been an essential part of traditional Nepali music and cultural celebrations since its inception.

[15] The Madal/Kham's rhythmic beats evoked a strong sense of ethnic pride and spiritual connection in a variety of rites, celebrations, and social events.

[16] The Madal/Kham's form and function remained mostly unaltered, in contrast to certain other traditional instruments that were threatened by modernization and shifting musical preferences.

The instrument's ongoing application in a variety of musical genres demonstrated its versatility and the easy way in which the old and the new could coexist.

As a basis for other instruments and vocal performances, it frequently assumes a rhythmic and lyrical function in classical works.

The instrument's flexibility and versatility are demonstrated by this integration, which enables it to connect with new listeners and musical styles.

Despite having a strong historical foundation, the Madal or Kham has a number of characteristics with contemporary drums and percussion instruments.

They belong to the same family of musical instruments as membranophones since they generate sound by striking or beating their surfaces.

The diversity of current drum kits is comparable to the Madal/Kham's capacity to generate a broad range of tones and rhythms.

This versatility is similar to how contemporary drums have developed over time to meet the needs of changing musical genres.