On Halloween night 1998 amidst his senior year at Cornell University, Tom Bailey Jr., dressed as Bill Clinton, enters the dark dorm room of Monica, his pre-arranged date.

Ten years later, Tom is now wealthy in New York City as his coffee collar invention pays him a dime every time one is used.

Tom continues to sleep with a different girl every week, while Hannah stays single, focusing on her career at the Metropolitan Museum of Art.

Melissa sabotages the bridal shower by tricking him into inviting a sex toy salesman as a party entertainer.

The distressed Tom gives up being the maid of honor as he cannot bear to watch them marry, so he decides to go back home.

As he is leaving the next morning, Tom realizes that he must stop the wedding immediately, telling the driver to turn back.

Dempsey was part of the project before the director was chosen and agreed to Weiland after seeing an early cut of his coming-of-age film Sixty-Six.

[8] In the UK the British Board of Film Classification (BBFC) rated it a 12 for "Moderate Language and Sex References".

[10] Made of Honor received negative reviews from critics, and was called a gender swapped version of My Best Friend's Wedding.

The site's critical consensus reads: "Sharp performances by Patrick Dempsey and Michelle Monaghan can't save this forgettable, formulaic chick flick from its comic failings.

"[15] On Metacritic, the film holds a weighted average score of 37 out of 100, based on 25 critics, indicating "generally unfavorable reviews".

Club gave the film an overall C grade, giving credit to the performances of Pollack and Monaghan for being surprisingly good in a by-the-numbers romantic story alongside Dempsey displaying "plastic sincerity" in his role, saying: "It's telling that he's followed by a string of sidekicks apparently created to make him less bland by comparison.

"[12] Barbara Vancheri of the Pittsburgh Post-Gazette praised the utilization of the "picturesque, romantic" Scotland setting and the cast's willingness to perform, despite devolving into slapstick comedy and tacking on a 1940s film ending.

"[19] Peter Bradshaw of The Guardian said about the film beyond its "gibberish" title: "Everything else about it is plasticky and nonsensical with no one behaving like a real carbon-based life-form.

"[14] Ed Gonzalez from Slant Magazine called the film "soul-crushingly predictable", lamenting the misuse of Pollack's "ostensible prestige" only for it to be diminished by Kevin Sussman's character, unfunny sex jokes, an irritating soundtrack and defamation of Scottish people.