Between 1967 and 1969, she lived with her family in British Columbia, Canada, a period which made a very deep impression on her and later in life influenced her writing.
Her novels, short stories and prose poetry often deals with children's, in particular girls', development to adulthood; women's roles; and marginalized and traumatized individuals who opt to break with society's expectations.
Kandre's stories have a marked metaphysical dimension which is strengthened by her poetical language and representation, with existential themes paired with contemporary social issues.
In her writing she often returns to issues like the expectations placed on women, how alienation develops, and the significance of instincts.
Before Kandre entered onto the path of writing, she was the frontwoman for the music group Global Infantilists (1981–1983).