[11] In 2014, she won Stanford University's William Saroyan International Prize for Writing for her book The Riddle of the Labyrinth: The Quest to Crack an Ancient Code.
"[9] In 2014, The Paris Review called Fox "An instrumental figure in pushing the obituary past Victorian-era formal constraints".
[14] Calling her "The Artist of the Obituary", Andrew Ferguson wrote in Commentary magazine: "Margalit Fox is one of those writers ... whose every paragraph carries an undercurrent of humor ... you're never more than a few sentences away from an ironic aside or wry observation or the sudden appearance of some cockeyed fact.
"[10] In their review of Conan Doyle for the Defense (2018), The Guardian said Fox "has worked hard to reshape a classic Edwardian murder case to make it fit with our times.
In particular, she wants us to see that the racialisation of crime is nothing new: bad science and economic insecurity have long been responsible for creating 'out groups' on whom we dump our worst terrors.
"[18] Reviewing the same book, The Wall Street Journal praised Fox's "eye for the telling detail, a forensic sense of evidence and a relish for research.
"[19] In 2022 her book, The Confidence Men: How Two Prisoners of War Engineered the Most Remarkable Escape in History, was nominated for the Edgar Award in the category of Best Fact Crime.
[20] The New York Times Book Review said that Fox "unspools the men's delightfully elaborate prison-break scheme in nail-biting episodes that advance like a narrative Rube Goldberg machine".