Margaret St. Clair (17 February 1911 – 22 November 1995) was an American fantasy and science fiction writer, who also wrote under the pseudonyms Idris Seabright and Wilton Hazzard.
[2] The St. Clairs lived in a hilltop house with a panoramic view in what is now El Sobrante, California, where Margaret gardened; she also bred and sold dachshund puppies.
[3] In her rare autobiographical writings, St. Clair revealed few details of her personal life, but interviews with some who knew her indicate that she and her husband were well-traveled (including some visits to nudist colonies), were childless by choice, and in 1966 were initiated into Wicca by Raymond Buckland, taking the craft names Froniga and Weyland.
The stories were ostensibly set in an idealized future but cast a satirical look at post-war domestic life, with its focus on acquiring labor-saving household devices and "keeping up with the Joneses."
"[2] She was especially prolific in the 1950s, producing such acclaimed and much-reprinted stories as "The Man Who Sold Rope to the Gnoles" (1951), "Brightness Falls from the Air" (1951), "An Egg a Month from All Over" (1952), and "Horrer Howce" (1956).
Beginning in 1950 with "The Listening Child," all of St. Clair's stories in The Magazine of Fantasy and Science Fiction appeared under the pseudonym Idris Seabright.
St. Clair wrote only a handful of stories in the mystery genre, but one of them, The Perfectionist (1946), was widely reprinted and translated, and served as the basis for the play A Dash of Bitters by Reginald Denham and Conrad Sutton Smith.
"[2] The editor of The Crystal Well called Sign of the Labrys "an occult classic,"[2] and in his review of the novel for Analog, P. Schuyler Miller declared that St. Clair was one of the most unappreciated writers in science fiction.
The Dancers of Noyo (1973) draws on Pomo lore as a young male narrator in a California largely depopulated by plague goes on a "Grail Journey" along Highway 101.
"[9] The back cover of her 1963 paperback novel Sign of the Labrys declared in large capital letters, "Women Are Writing Science-Fiction!"