Then she studied clay modelling in Munich at the State School of Applied Arts under Karl Killer (1928–29).

She studied in Copenhagen in 1932 and in 1933 she was at Sèvres Porcelain factory where she mastered the art of modelling with chamotte clay to make figures.

Her work is very varied but is characterised by flowing lines which curve sensually to evoke sentiment.

One of her most significant works of religious art is the portal of the Saint Emeric Church (Szent Imre templom) of Győr (1939–1940).

Those in Budapest at the time of her death were:[2] In 1972 she donated the majority of her work to the Pest County Museums Directorate in Szentendre.