Marguerite Macé-Montrouge

[4] For Offenbach she sang in the premieres of Entrez Messieurs, Mesdames in 1855 (Titi), Une nuit blanche in 1855 (Fanchette), Le rêve d'une nuit d'été in 1855 (Rosita), La chatte métamorphosée en femme in 1858 (Marianne), Orphée aux enfers in 1858 (L'opinion publique) and Le beau Pâris at the Eldorado in 1869 (Hélène).

She then toured to Brussels, where she met her future husband (Montrouge), who was singing at the Atelier, returning to the French capital for a series of successes at the Folies Marigny.

[3] After touring to Cairo with her husband, and singing a wide operetta repertoire there with him, she joined the troupe of the Théâtre de l'Athénée in Paris.

[4] Later creations included Joséphine vendue par ses soeurs in 1886 (Madame Jacob) and Miss Helyett in 1890 (La Sérona).

One of her late triumphs was in L'Hôtel du libre échange by Feydeau at the Théâtre des Nouveautés in 1894.