American Horror Story: Murder House

The ensemble cast includes Connie Britton, Dylan McDermott, Evan Peters, Taissa Farmiga, Denis O'Hare, and Jessica Lange.

Created by Ryan Murphy and Brad Falchuk for the cable network FX, American Horror Story was announced in February 2011, with production commencing that April.

Murder House generally received positive reviews from critics and drew consistently high ratings for FX, ending its cycle as the biggest new cable series of the year.

Falchuk was intrigued by the idea of putting a different angle on the horror genre, stating that their main goal in creating the series was to scare viewers.

[16] He also cited Rosemary's Baby, Don't Look Now, The Amityville Horror, and Stanley Kubrick's version of The Shining as influences for the series.

[13] After the first-season finale aired, Murphy spoke of his plans to change the cast and location for the second season, while retaining some actors from the first:[17] "The people that are coming back will be playing completely different characters, creatures, monsters, etc.

[19] In August 2011, it was announced that Tim Minear, Jennifer Salt, James Wong, and Jessica Sharzer had joined the series as writers.

[20] On October 30, 2016, Murphy announced that a future crossover season of the series would continue the Murder House and Coven stories, merging their characters and themes.

[23] In an interview with Entertainment Weekly, series co-creator Ryan Murphy stated that he had told Connie Britton, early on, that her character Vivien would die in the first season.

"In the meetings with the core actors, the three leads being Connie, Dylan [McDermott] and Jessica [Lange], as we tried to snare them, we were able to say this is where you start, this is the middle, and this is where you end up.

[29] In May 2011, Taissa Farmiga and Evan Peters were the last lead actors to be cast, portraying Violet Harmon and Tate Langdon, respectively.

Designed and built in 1902 by Alfred Rosenheim, the president of the American Institute of Architects' Los Angeles chapter, the Tudor or Collegiate Gothic-style single-family home was previously used as a convent.

[37] Details such as Louis Comfort Tiffany stained glass windows, and hammered bronze light fixtures, were re-created to preserve the look of the house.

[38] Due to a "very aggressive" production schedule and the series' pilot shoot having to wait for co-creators Ryan Murphy and Brad Falchuk's other show, Glee, to wrap its second season production, it was announced that the show's first-season finale, the thirteenth episode, would be thirty minutes shorter than planned.

[40] The sequence is set in the Harmons' basement and includes images of postmortem young children, unborn (or aborted) babies in jars, skulls, a christening dress, a nurse's uniform, and a figure holding a pair of bloody hedge clippers.

The website's consensus reads, "Convoluted yet effective, American Horror Story is strange, gory, and twisted enough to keep viewers hooked.

"[43] Ken Tucker from Entertainment Weekly awarded the pilot episode a B+, stating, "AHS is pretty much all scare, all the time: a whole lotta screams, sex, jolts, mashed faces, psychotic behavior, and dead babies.

"[44] Chuck Barney of the San Jose Mercury News said, "Most TV shows, after all, quickly fade from memory.

"[45] Hank Stuever from The Washington Post said in his review, "Overdoing things is one of Murphy's trademark flaws, but this show has a captivating style and giddy gross-outs.

[61] Taken together with equally strong numbers for the station's returning original series – Sons of Anarchy, It's Always Sunny in Philadelphia and The League – the episode helped make October the most-watched month on FX ever.

Murphy was looking for a house that could be appropriately creepy but also attractive. [ 33 ]