Maria Lluïsa Borràs i Gonzàlez

[2][4][5][6] From 1964 on she was in charge of the administration of Club Cobalto 49,[4] and was soon collaborating with its founder, Joan Prats,[7] -stimulating avant-garde art's promoter in Catalonia- in the third stage of visual books Fotoscop (1966-1979),[8] as author of seven volumes of the collection.

She made in two occasions also the photos: for the volumes "Domènech i Montaner, arquitecto del modernismo", and "Sert, arquitectura mediterrània".

Working as screenwriter, director and producer, she made the documentary films Antoni Tàpies (1981), Pau Gargallo (1981), and Picasso nostre (1982).

[2] Maria Lluïsa Borràs left a bibliography of more than 30 publications on the subject of art,[2][8] including her work on the architect Antoni Gaudí (1972) and the opus dedicated to Coleccionistas de arte en Cataluña (1986-1987),[6][14] as well as diverse monographs on Chillida (1974), Moisès Villèlia (1974), Carles Delclaux (1991), Porta Missé (1995), Wifredo Lam (1996), Ramon Pichot (1997), Andrés Nagel (2003), Floreal (2003), Dalí (2004) and Josep Niebla (2009).

[9] A small part of her library - a section of over 20,000 volumes - was managed by the Gresol association[3][8] thanks to funding from the Elsa Peretti Foundation.

[15] This private archive is made up of more than 60.000 documents of diverse categories including manuscripts, correspondence, photographs, audio visuals, etc., in addition to 1.500 books and magazines from her personal library.