[2] Her writing is characterised by mixing elements from the Gothic, Science Fiction and Horror, creating a hybrid genre that Womack uses to highlight the uncanny.

Womack coordinated the imprint Fábulas de Albión, which she used to publish, for the first time in Spanish, female speculative fiction authors such as Nina Allan, Lisa Tuttle, Anna Starobinets or Karin Tidbeck.

This book, with its sharp edges and its thematic urgency and its painful admissions of weakness and of fear, is a collection that highlights everything that speculative fiction, of all possible modes of literature, excels at.

"[5] Laura Mauro wrote in Black Static that "Lost Objects is a gorgeous, intelligent collection, both masterfully written and cannily prescient... and crafted in a manner that I suspect we will come to recognise as uniquely Womack.

"[6] Jonathan Thorton wrote in The Fantasy Hive: "These stories deal with landscapes that have been transfigured by humanity's carelessness and hubris, worlds in mourning for everything we have so casually destroyed.

"[7] Timothy J. Jarvis wrote in the Los Angeles Review of Books that Lost Objects addresses "humankind's senseless despoliation of its home in subtle, profoundly affecting ways.

"[9] Jonathan Thorton wrote in The Fantasy Hive: "A bold, ambitious and genre-bending novel, one that isn't afraid to assume a sensitive and intelligent reader.