[1][3] Vocalist Dilon Djindji claims this refers to the energetic performances he delivered while on tour across Mozambique, as the intensity and vitality of his shows led audiences to believe that he was 'breaking' the emotional limits of those in attendance.
These musicians introduced the traditional orchestration and other influences of fado, such as the use of guitars, mandolins, drum sets, and other conventional Western instruments, to Mozambique.
In trying to duplicate these traditional sounds on new western instruments, Mozambican musicians created a new style of dance music, which quickly gained popularity among the youth in the 1940s.
Upon gaining independence from Portuguese colonial rule, Mozambique came under the control of a socialist regime, resulting in new musical influences from communist Cuba.
During this time, Marrabenta underwent significant transformation as musicians started using distortion and electronic instruments, while retaining the fundamental character of the music.
[1] Early Marrabenta artists, such as Fany Pfumo, Dilon Djindji, and Wazimbo, were crucial in establishing the genre,[1] which has evolved over time into its modern form.