For a number of months, the lead-instrument slot was filled by various fiddlers and mandolin players, most notably Chris Murphy and John Farrell (later of the Prodigals and Fathom).

Sometime between February and April 1994, Four to the Bar spent time in a Manhattan studio working with a number of fellow musicians, including Seamus Egan, Eileen Ivers, Larry Campbell, Matt Keating, Steve Holley, and Rufus Cappadocia.

[8] On the strength of the recording, the band was chosen to perform at the 1995 Daytona International Music Festival, sharing the bill with Trisha Yearwood and the London Symphony Orchestra.

At some point later that same year, O'Neill resigned; his spot was filled by a series of local freelancers, including Monty Monaghan, Tony DeMarco, John Reynolds, and Joyce Andersen.

On New Year's Eve 1995, Four to the Bar had just started its first set in Dillon's Pub in hometown Woodside, NY, when a fire broke out in an adjoining diner.