He was one of the six students that Studio Glass founder Harvey Littleton instructed in a program at the University of Wisconsin-Madison in fall 1962 and spring 1963.
He would introduce the concepts of the movement during his subsequent tenure as a Design instructor at the University of California, Berkeley, where he taught until 1972.
As a visiting artist he has traveled widely in the United States and internationally to Israel, Spain, France, Bulgaria, Sweden, Finland, Japan, and the Netherlands.
“The forms are inspired by internal organs, intestines, breast, stomachs, brains; their colorful, mottled, crumpled, broken shapes and expression of turbulence and restlessness.”[7] Lipofsky is well known for having devoted his career in glass to endless variations on the turbulent, broken bubble form.
His work, in short, is about glassblowing and the ways in which a blown glass sphere can be opened, shaped and distorted.
Corning Museum of Glass curator Tina Oldknow has written that she admires Lipofsky “for his devotion to material and form.
His non-objective vessels break apart and rearrange the blown glass mass while retaining the breathy, ephemeral quality that is one of the medium’s most intriguing characteristics".